About James Bond

Sapere Aude et Semper Occultus

British James Bond

Pierce Brosnan & Joe: The Time Travel Bond Conspiracy

Scene: A dimly lit bar. Pierce Brosnan sips a martini, looking across the table at Joe, who leans in with a serious expression.

Pierce Brosnan: So let me get this straight, Joe—you think James Bond should be Canadian and a time-traveling assassin hunting Illuminati bloodlines?

Joe: Damn right, Pierce. I was born in British Columbia. That’s got British right in the name. Close enough. If Scotland can claim Connery, Canada can claim me.

Pierce (chuckling): Canada already has a spy—Dudley Do-Right.

Joe (rolling his eyes): That’s a cartoon mountie! I’m talking about a real Bond. One who doesn’t just take orders from MI6, but goes back in time to hunt Illuminati bloodline psychopaths like Ted Bundy.

Pierce: Ted Bundy? The serial killer?

Joe: The Illuminati serial killer. You ever hear of the Bundy Illuminati bloodline? One of the 13 ruling families. He wasn’t just some psycho—he was a chosen psycho.

Pierce (raising an eyebrow): And where does time travel come into this?

Joe: Tesla. The man built a time machine in 1931. That’s why he was on the cover of Time magazine that year. Not because he was an electrical wizard—because he cracked time itself.

Pierce (scoffs, sipping his martini): And where’s this machine now?

Joe (leaning in, lowering his voice): Some say the U.S. government has it. Others say the Vatican. But here’s the thing, Pierce—Psalm 31 talks about time.

Pierce (frowning): The Bible? What does that have to do with Tesla?

Joe (pulling out his phone, scrolling): Psalm 31:15—“My times are in your hands; deliver me from the hands of my enemies.”

Pierce (staring at him): So you’re telling me Bond should use Tesla’s time machine to… what? Stop Bundy?

Joe: Not just Bundy. Skull and Bones. Yale. 19th century. I go back, stop their secret society pipeline before it even begins. No Bush dynasty. No CIA MKUltra. No Epstein network. Bond versus the real puppet masters.

Pierce (exhales, rubbing his temple): You know, Bond has crossed paths with Skull and Bones before…

Joe (grinning): Thunderball, 1965. The Spectre meeting. Dark, secretive, numbered chairs. That was Skull and Bones. Fleming knew. He worked in British intelligence—he was warning us.

Pierce (pausing, considering this): You think Ian Fleming based Spectre on Skull and Bones?

Joe: It’s not even a theory—it’s obvious. The whole Bond vs. Spectre story is just a thinly veiled battle between free nations and the real-world elites pulling the strings. That’s why Tesla’s time machine is key. With it, Bond could go back and erase them before they sink their claws into the world.

Pierce (nodding slowly): Okay, I’ll bite. Say you had a time machine—where would you start?

Joe (without hesitation): Skull and Bones. Yale. Late 1800s. I’d delete the CIA’s secret society pipeline before it ever started. No Bush dynasty. No MKUltra. No Bundy Illuminati bloodline.

Pierce (sipping his drink, smirking): You know… the more I listen to you, the more I think—this might be the best Bond film never made.

Joe (grinning): And here’s the kicker—Mike Myers knew about time travel too.

Pierce (laughing): Oh, come on, Joe. You’re dragging Austin Powers into this?

Joe (dead serious): Mike Myers comes from the Mayer Rothschild bloodline. One of the original banking families running the world. You think it’s a coincidence he put a time machine in The Spy Who Shagged Me?

Pierce (chuckling, but intrigued): You’re saying Austin Powers was revealing real-world time travel?

Joe: That’s exactly what I’m saying. They hide the truth in comedy so people ignore it. Look at The Spy Who Shagged Me—Dr. Evil’s entire plan is about stealing mojo through time. What if that’s a metaphor for the elites using Tesla’s lost time machine to manipulate history? To keep their power locked in while the rest of us stay in the dark?

Pierce (raising an eyebrow): So Myers was… what? Exposing them? Mocking them?

Joe (smirking): Maybe a little of both. Ever notice how Dr. Evil acts like a joke, but he’s really the power behind everything? The joke’s on us. Meanwhile, Tesla’s lost time machine is probably locked away in a Rothschild vault.

Pierce (sighs, shaking his head): So let me get this straight. Bond, Tesla, Skull and Bones, the Bundy Illuminati bloodline, and now Austin Powers—it’s all connected?

Joe (nodding, sipping his drink): And when I get my hands on that time machine, I’m going back to stop them before they ever rise.

Pierce (smirking, lifting his glass): Joe… if you ever do get that time machine, let me know. I’d love to see how this plays out.

They clink glasses. Fade to black.

SRA Core of Abuse

One man against the entire British Government. Over here at M16 they say it is impossible to stop it. Agent Hunt from the CIA, often tells me it is not mission impossible to stop child rape. We just need handlers like Marilyn Manson to come forward and testify. I believe Marilyn Manson is a Cat killer. ROBOCOP! HE’S A CAT KILLER!!!

Yes, just a cat killer, not a cop killer. We could offer MM a deal if he testifies about the head of the Satanic network, the sectoid alien headed Baron Jacob Rothschild. Who is alive and well with Epstein on a Sandy Beach in tel aviv.

Natalie Portman’s Prayers 2

The Amida, also known as the Amidah or Shemoneh Esrei, is a central prayer in Jewish liturgy. It is traditionally recited while standing and in a quiet voice. The prayer is a key part of the daily prayer services, including the Shacharit (morning), Mincha (afternoon), and Ma’ariv (evening) prayers, as well as during Musaf (additional) prayers on Shabbat and festivals.

Here is an overview of the structure of the Amidah prayer:

  1. Opening Blessings (Avot and Gevurot):
    • Avot: Praise to the God of the patriarchs Abraham, Isaac, and Jacob.
    • Gevurot: Acknowledgment of God’s power and might, including His ability to give life and take it away.
  2. Kedushat Hashem: Sanctification of God’s name.
  3. Requests (Petitions):
    • The weekday Amidah includes thirteen petitions, asking for various needs such as wisdom, repentance, forgiveness, redemption, healing, prosperity, and more.
    • On Shabbat and festivals, these petitions are replaced by prayers appropriate to the day, focusing on the holiness and joy of the occasion.
  4. Thanksgiving (Hoda’ah):
    • Modim: Thanks to God for our lives and His continual goodness.
    • Birkat Kohanim: A prayer for peace.
  5. Closing Blessings:
    • The Amidah concludes with blessings that include requests for peace, goodness, blessing, grace, kindness, and mercy.

The exact text and structure of the Amidah can vary slightly among different Jewish traditions (Ashkenazi, Sephardi, etc.), but the core themes and structure remain consistent. The Amidah is recited three times a day on weekdays, four times on Shabbat and Jewish holidays, and five times on Yom Kippur.

Padmé Amidala is a central character in the Star Wars prequel trilogy. Here’s a more detailed look at her character and significance in the series:

Padmé Amidala

Background

  • Homeworld: Naboo
  • Full Name: Padmé Amidala Naberrie
  • Portrayed by: Natalie Portman

Roles

  • Queen of Naboo: As a young teenager, Padmé was elected Queen of Naboo and ruled under the formal name “Queen Amidala.”
  • Senator of the Galactic Republic: After her term as Queen, she continued to serve her people as a Senator in the Galactic Senate.

Character Arc

  • Episode I: The Phantom Menace (1999):
    • Amidala is the young and courageous Queen of Naboo. Her planet is blockaded and invaded by the Trade Federation, leading her to seek help from the Galactic Senate. She travels to Coruscant, befriends Anakin Skywalker, and works with Jedi Qui-Gon Jinn and Obi-Wan Kenobi to liberate her planet.
  • Episode II: Attack of the Clones (2002):
    • Ten years later, Padmé is now a Senator and is targeted for assassination. Jedi Anakin Skywalker is assigned to protect her, and they fall in love. Despite the ongoing conflict, they marry in secret. Padmé is a vocal opponent of the creation of a Republic army, foreseeing the impending Clone Wars.
  • Episode III: Revenge of the Sith (2005):
    • Padmé is pregnant with twins, Luke and Leia. She becomes increasingly concerned with Anakin’s actions as he is seduced by the dark side and becomes Darth Vader. Her emotional confrontation with Anakin on Mustafar results in her being critically injured. She dies after giving birth to her twins, and her death deeply impacts Anakin, contributing to his transformation into Darth Vader.

Significance

  • Political Influence: Padmé is a strong advocate for democracy, diplomacy, and peace. She plays a critical role in the political landscape of the Star Wars universe.
  • Relationship with Anakin Skywalker: Her marriage to Anakin and the birth of their children, Luke and Leia, link her directly to the central storyline of the original and sequel trilogies.
  • Mother of Key Characters: Padmé’s children, Luke Skywalker and Leia Organa, are pivotal characters in the original trilogy, continuing the Skywalker legacy.

Padmé Amidala’s character is complex, embodying themes of leadership, love, and tragedy. She is remembered as a symbol of hope and resilience in the Star Wars saga.

CONCLUSION

Psalms 65:2 – You who answer prayer, to you all people will come…

Natalie was ready to join the Israel Defence Forces in 2002. I decided to make a strategic retreat and let George Walker Bush destroy Saddam Hussein instead.

The “fighting fish” scene is a memorable part of the James Bond film From Russia with Love (1963), which is the second movie in the Bond series. This scene features the villain Ernst Stavro Blofeld, head of the criminal organization SPECTRE. Here’s a detailed look at the scene and its significance:

Scene Overview

  • Location: The scene takes place in SPECTRE’s headquarters.
  • Characters: Ernst Stavro Blofeld (Number 1), Rosa Klebb (Number 3), and Kronsteen (Number 5).

Scene Description

  • The Fighting Fish: In this scene, Blofeld watches three Siamese fighting fish in a tank. He uses their behavior as a metaphor for his strategy against the British and Soviet intelligence agencies. Two fish fight while the third one waits, observing, and then attacks the weakened victor.
  • Blofeld’s Monologue: Blofeld explains how SPECTRE operates by exploiting the weaknesses and conflicts of others. This metaphor underscores SPECTRE’s approach to creating chaos and then seizing control when the time is right.

Significance

  • Character Insight: This scene provides insight into Blofeld’s cold, calculating nature and his strategic mind. It establishes him as a formidable and intelligent adversary.
  • Foreshadowing: The metaphor of the fighting fish foreshadows SPECTRE’s plan to manipulate the British and Soviet intelligence agencies, using them against each other while SPECTRE stands to benefit.
  • Thematic Elements: The scene highlights themes of manipulation, power struggles, and the nature of conflict, which are central to the plot of From Russia with Love and the broader James Bond series.

This scene is often cited as one of the more iconic and cerebral moments in the early James Bond films, adding depth to the villainous organization of SPECTRE and its enigmatic leader, Blofeld.