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Alice in Wonderland and the CIA
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Illuminati Symbols in Alice in Wonderland
Alice has a feverish dream as a child. She is transported to a place called Wonderland in the dream. Fever dreams, in my definition are more vivid and infinitely more horrific than you can imagine.
Alice tells her father she thinks she has gone mad. He tells her, “All the best people are.”
We fastforward 13 years later to Alice’s engagement party. 13 is the number of degrees in the York rite of Freemasonry.
13 is the number of degrees in the Illuminati.
Alice leaves her fiance waiting at the altar and runs to the forest. She follows a white rabbit down a rabbit hole. She finds herself in a room with a checkered floor:
The mosaic pavement of the lodge is discussed in the lecture of the first degree. This is commonly described as the checkered carpet which covers the floor of the lodge. The lecture says that the mosaic pavement “is a representation of the ground floor of King Solomon’s Temple” and is “emblematic of human life, checkered with good and evil.” In the account of King Solomon’s Temple in the Bible, the ground floor is said to be made of pine or fir, depending on which translation of the Bible that you read (1 Ki 6:15). It is hard to imagine that pine or fir flooring would be particularly mosaic in nature. However, it can be agreed that the mosaic pavement represents the ground floor of King Solomon’s Temple in the Entered Apprentice degree because that ceremony symbolically takes place in that location. While these facts may not be particularly intriguing, the symbolism of the checkered carpeting presents some interesting concepts.
Alice drinks a potion that makes her small. This symbolizes her entering the lodge as an entered apprentice.
Alice eats a cake that makes her large. This symbolizes her moving up through the masonic degrees. She finds that she is too large and drinks the absinthe again.
This makes her small. She has become a drug addled Illuminatus Minor. She is again a small member of the secret society. She will grow large again later in the story becoming a Illuminatus Rex.
Alice tries magic mushrooms and goes through the gateway into the fifth dimension.
Alice tries opium with an opium smoking caterpillar. The caterpillar represents Europe. In the Chinese Opium wars the Queen peddled dope.
The caterpillar shows her a scroll. This is the holy bible and the psychedelic book of Revelation. The characters are waiting for “Frabjous Day”: Judgement Day. Tweetle Dum and Tweetle Dee represent Rockefeller and Rothschild. Two of the Queen’s dimwitted subjects.
Later in the story Tweetle Dum gets the mark of the beast in his forehead. This represents the PIN number you use to get money out of the automated teller machine. The white queen kisses Tweetle Dum’s forehead and removes the mark later in the story.
Alice is chased by the beast. The frumious bandersnatch. A mouse removes an eye from the beast. The Islamic Dajjal is one eyed.
We meet the one eyed Jack. He represents Prince Charles and Mi6. Queen Elizabeth killed Charles’ wife Diana using Mi6 and the Freemasons so that she could wage her war in Iraq. Britain needs oil. Oil is the lifeblood of the Queen’s empire. America is still run through the Queen and Freemasonry.
We meet the red Queen. She represents Queen Elizabeth the II.
She has a really big head. David Icke say’s she is a reptile.
Dont you think Tony Blair has a grin like the Cheshire cat? Even though his face may disappear, his grin may remain visible?
The Queen is surrounded by toadies. One of them steals a pastry and has a frog in his throat. OFF WITH HIS HEAD!
Alice gets stuck in the Queen’s palace underneath her watchful eye you can see in the windows.
The Queen of England killed off the French Aristocracy with a guillotine in 1789. Lewis Carroll is trying to illuminate us to the Queen’s crimes.
Alice has to get the Masonic tyler’s sword to slay the red dragon of wales. They call the dragon the Jabberwocky.
Alice rides the Frumious bandersnatch. This symbolizes the whore of babylon riding the beast in revelation.
She goes to meet the dragon:
She cuts off the dragon’s head and the red queen is defeated. The mad hatter represents the leader of the Illuminati who want the red queen overthrown.
At the end of the movie the caterpillar has transformed into a butterfly.
The Illuminati use Alice in Wonderland programming on their whores of babylon. They tell the media whores that they will be the white queen if they have orgy sex with the Illuminati and take drugs.
Alice is transformed from an innocent child into a harlot. Like Aunt Imogene there is no Prince to break the spell.
Eyes Wide Shut Party Thrown at Sundance Festival
With A-list clients such as Jennifer Aniston, Tom Cruise, Camron Diaz, Tom Hanks, Vanessa Hudgens, Will Smith, Meryl Street, Nicole Kidman, Steven Spielberg, Britney Spears, Kanye West and many, many others, Creative Artists Agency (CAA) is well known as Hollywood’s leading talent agency. Literally dealing with billions of dollars and the most influential people in film, music, television and sports, CAA is a powerful entity in the entertainment industry.
This year, the agency threw one hell of a party during the Sundance festival – one that managed to even shock the Hollywood crowd that was present. The party featured “lingerie-clad women pretending to snort prop cocaine, erotic dancers outfitted with sex toys and an Alice in Wonderland look-alike performing a simulated sex act on a man in a rabbit costume.” According to guests, the party was overtly lewd, pornographic and debaucherous and was described as a mash-up of “Cirque du Soleil and the orgy scene from Stanley Kubrick’s Eyes Wide Shut.”
While all of this fake sex and drugs is a good indication of the moral standards that are upheld at Hollywood’s higher instances, this is surprisingly not the most disturbing fact about the party. The theme and the symbolism of this event, based on a perverted version of Alice in Wonderland + an Eyes Wide Shut type orgy is nothing less than a celebration of the industry’s Mind Control and sex rituals. As stated in numerous articles Alice in Wonderland is a staple in Mind Control
programming, where slaves are told to “follow the White Rabbit” and “go through the looking glass”. Having an Alice look-a-like (who is a child by the way) performing sex acts on the White Rabbit is the type of sick perversion MK handlers attach to the story. Furthermore, satanic sex rituals à-la Eyes Wide Shut are also used on MK slaves to traumatize them.
In short, CAA’s party is one big celebration of the Illuminati’s entertainment industry, one that is about exploitation, prostitution, drugs, mind control and rituals. Even if everything there was fake, it was an accurate reflection of what truly happens behind the scenes in Hollywood. Here’s an article about CAA’s party from the LA Times.
A bawdy CAA party at Sundance shocks guests, including clients
Creative Artists Agency’s party at the Sundance Film Festival, featuring scantily clad performers and sex toys, provokes a public relations backlash.
PARK CITY, Utah — Parties at the Sundance Film Festival typically feature maverick filmmakers, the best in nouvelle cowboy cuisine and plentiful pours of high-end spirits and Utah microbrews.
But the bash thrown by Hollywood’s powerful Creative Artists Agency on Sunday night took festival revelry in an unexpectedly bawdy direction, as Sundance guests mingled with lingerie-clad women pretending to snort prop cocaine, erotic dancers outfitted with sex toys and an Alice in Wonderland look-alike performing a simulated sex act on a man in a rabbit costume.
For decades, CAA has carefully maintained a reputation as Hollywood’s most meticulous talent firm, but CAA’s leave-nothing-to-chance attention to decorum vanished in that Bacchanalian blizzard on the snowy streets of this mountain resort.
Some CAA clients found the party so shocking that they said it made them embarrassed to be associated with the agency.
“I said to my agent, ‘Is this how you want to brand yourself? Pole dancers? Really?’” said Oscar-nominated writer-director Naomi Foner, who was at the festival with her film, “Very Good Girls.”
And Foner, who is the mother of Jake and Maggie Gyllenhaal, said she didn’t see the sex toys.
“I would have been much more verbal if I had seen that,” said the 66-year-old screenwriter of “Running on Empty.”
The performers were part of a Las Vegas troupe, the Act LV, which was hired by the Mint Agency, CAA’s party planner for the evening.
“The performance by Simon Hammerstein’s The Act LV was more explicit than intended,” CAA said in a statement. “We regret if this created an uncomfortable setting for any of our guests.”
The party planners and CAA had wanted to “wow the crowd,” said Jordan Fogle, the chief executive of the Mint Agency, a Toronto-based marketing and events firm.
The Act LV is known for delivering lewd thrills that toe the line between performance art and impropriety.
“They [CAA executives] were a little bit concerned,” Fogle said following the public relations backlash to the party. “It’s not the image they want to portray — a slutty, trashy image. It’s the antithesis of what they are as a brand.”
CAA’s client roster includes A-list stars such as Will Smith, Meryl Streep and Steven Spielberg. It also negotiates deals for Coca-Cola, Dell, Mattel and other top corporations. Its licensing division represents the Sundance Institute, which presents the film festival every January. (Sundance declined to comment about the party.)
The CAA executives on hand included managing partner Kevin Huvane and agents Chris Andrews, Micah Green and Roeg Sutherland.
One ranking agent at a rival firm said the event, first described in a Hollywood Reporter story, was unlikely to trigger a mass client exodus for CAA, although it could compel the defection of clients who were already unhappy with the agency’s work.
In addition to its renown as North America’s preeminent indie movie festival, Sundance long has enjoyed a reputation for scenes of epic partying — a kind of bottoms-up free-for-all for celebrities and movie executives alike that functions something like Hollywood’s annual spring break, albeit in a skiing hamlet where you can’t rent a keg without a temporary beer permit.
The capacity-filled CAA party, held on Park City’s Main Street in the Claim Jumper restaurant, coincided with two other major events thrown by its main Hollywood rivals down the block: William Morris Endeavor and United Talent Agency.
“I thought it would be a tamer burlesque show integrating live art,” Fogle said. “Instead, it was like going down the rabbit hole. It was like an acid trip the whole night.”
Indeed, witnesses described an NC-17 mash-up of Cirque du Soleil and the orgy scene from Stanley Kubrick’s “Eyes Wide Shut.” Some 500 guests included an industry crowd of film executives, festival attendees and such marquee CAA clients as Nicole Kidman, Alexander Skarsgard, Evan Rachel Wood and Danny McBride as well as movie mogul Harvey Weinstein.
One attendee said she was particularly put off by the man in a rabbit costume on stilts.
“He was very creepy, walking very slowly,” recalled party-goer Stephanie Cregger. “He was wearing a strap-on sex toy and a woman dressed as Alice in Wonderland was playing with him.”
“He was very creepy, walking very slowly,” recalled party-goer Stephanie Cregger. “He was wearing a strap-on sex toy and a woman dressed as Alice in Wonderland was playing with him.”
CAA client and Academy Award-winning screenwriter Nat Faxon said it was hard to talk about his new movie, “The Way, Way Back,” while two women simulated a sex act on a bed nearby.
“It was difficult,” said Faxon, “to have a conversation about my movie while that was going on right next to you.”
– Source: LA Times
