The music world’s fake Illuminati

Pop stars like Lady Gaga and Rihanna have figured out how to set the Internet abuzz with Illuminati symbolism

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The music world's fake Illuminati (Credit: jeff malet, maletphoto.com/Imagewell via Shutterstock/Salon)

Beyoncé’s had an unexpectedly tough spin in the news cycle after her universally acclaimed Inauguration performance was revealed to be a lip-synch job.

But it’s hard to believe that the pop singer, who is preparing for the Super Bowl halftime show, hadn’t already heard it all. After all, an entire corner of the Internet believes her daughter is the Antichrist.

Beyoncé and her husband, Jay-Z, are just two of the popular music stars whose ties to the so-called Illuminati have come in for Zapruder-level scrutiny online, on sites like Vigilant Citizen, Media Exposed, and, yes, Beyonce-Illuminati.com.

The fear of the entity known as the Illuminati is neither unique — Bey and Jay join Lady Gaga, Rihanna, Ke$ha, Kanye West, and practically every prominent banker and politician on Earth is under conspiracy theorists’ microscope — nor novel. The original Bavarian Illuminati, a short-lived Enlightenment group devoted to overthrowing the local government, would likely have been forgotten, said “Occult America” author Mitch Horowitz, had Scottish physicist John Robison not speciously alleged in 1797 that the group had infiltrated the Freemasons and instigated the French Revolution.

“The Illuminati can be understood as the most radical edge of the marriage of avant-garde religious views and political views that sometimes found expression within Freemasonry,” said Horowitz. The movement, as redefined ex post facto to include practically every threatening and new development in American life, went on to resurface in rumors from the anti-Masonry fervor of the 1830s to the election of a Catholic president in 1960 to (did you need to ask?) the Obama presidency. Though the political goals of the Illuminati in Bavaria were locally minded, the avant-garde aspect lives on. Horowitz listed certain motifs: “skulls, serpents, eyes and pyramids, pentagrams. These were from a religious culture that had vanished after the Dark Ages; they’re alluring, dangerous, sinister.”

And indeed they were alluring to everyone from the designers of the Great Seal of the United States (check out that to, if you trust the Internet, just about every pop star). But that doesn’t signify that every pop star has joined a nebulously defined group bent on world domination. “The eye and pyramid still makes people pause when they see a dollar bill. An artist like Jay-Z understands that,” said Horowitz.

“He flashes an image of Mao Tze-Tung in [the video for] ‘Run This Town,’ but no one suspects he’s an agrarian socialist.”

Here are a few of the accusations waged against Beyoncé and Jay-Z:

Enough, for now! Taking a broader and more systematic view, conspiracy theorist and YouTube documentarian Mark Dice said, “These symbols represent power. And the Illuminati is the ultimate powerful organization. These scumbags like Jay-Z want that power. Their whole message is that of materialism.

“They assign the meaning, and they have secret meanings for the initiated. The pop stars are Illuminati puppets. I call them Satanic skanks.”

Dice clarified that he did not believe that celebrities are hypnotized into delivering Illuminati-approved messages, as some other conspiracy theorists do (though he took umbrage at Jay-Z’s appearing on behalf of Obama during the presidential campaign: “What’s his message? Is it a message of love and respect? No, he’s a former drug dealer popping Cristal. Go pop your Cristal!”).

Said Dice: “They’re just spokesmen. These people don’t even write their own songs.”

If you’re looking for evidence that a worldwide conspiracy exists but can’t quite fit together global politics and the Bilderberg Group, why not pin as useful idiots the pop stars whom everyone knows? People reflexively distrust celebrities, anyway, so half of the conspiracy theorist’s work of convincing is already done.

The celebrities fan the flames a bit, too. “I said I was amazing, not that I’m a Mason / It’s amazing that I made it through the maze that I was in,” rapped Jay-Z, acknowledging the case against him even as his fans throw up a sign that conspiracy-minded folks allege is that Masonic “eye inside a triangle.” Beyoncé’s one-eyed shoes seem like a fairly deliberate provocation given a portion of her audience’s fixation on Masonic symbolism. Beyoncé and Jay-Z may be setting themselves up for critique, and examination, and obsessive documentation.

Hollywood’s role, in theorists’ minds, is to disseminate messages of “extreme materialism, spiritual vacuosity and a self-centered, individualistic existence” to placate the masses, says anti-Illuminati site Vigilant Citizen. Then again, some people just call that pop culture! The involvement of pop culture just bolsters the “superconspiracy” aspect of the Illuminati, said end-times expert and academic Cathy Gutierrez, of Sweet Briar College. “It’s not just a conspiracy against the Bavarian government, now you’re friends with the Rosicrucians, the Elders of Zion, the underground Jewish money funding all of this.” There’s a comfort to this sort of thinking, said Gutierrez, rather like believing in God: “It does protect things from just happening. It’s kind of a big plan.”

Indeed, prominent conspiracy theorist Dr. Henry Makow wrote in an email to Salon, “The ultimate goal of the Illuminati is to morally degrade humanity as a way of inducting humanity into their cult at the lowest level, and enslaving it mentally and spiritually, if not physically.” He specifically bemoaned “feminism, homosexuality and shiny happy person marriage” — using pop stars as a scapegoat for the sexual revolution, which had an evil hand guiding it.

And so in bemoaning the materialism and oddity and sheer modernity of the modern world, conspiracy theorists connect the loose conspiracy that began in Bavaria outward to Beyoncé and many, many other artists. These pop stars play along, ranging from artistic expression that’s strictly for the initiated (Lady Gaga took a break from citing Warhol to stage a death-themed performance in a Masonic temple at the VMAs) to explicit jibes intended to go viral (the “Princess of the Illuminati” text that flashes over Rihanna in her “S&M” video).

And sometimes it just looks like careerism. Last year, Ke$ha’s first pop video after a brief absence was “Die Young,” featuring such explicit nods to Illuminati fixations that even MTV was moved to comment. And Madonna rode into her Super Bowl halftime show wearing ornate, devilish horns. Both the Ke$ha video and the Madonna show got mixed reviews, but they’ve kept a certain audience talking: maybe the real Illuminati in pop music is a group of musicians who’ve figured out the kind of symbolism that boosts your Google hits — and that’s amusing enough for those who are casually observing.

Asked what she thought of pop stars’ potential ties to a group that sought to instate a New World Order, Dr. Gutierrez replied: “Lady Gaga? I can imagine worse people running the world.”

Daniel D’Addario is a staff reporter for Salon’s entertainment section. Follow him on Twitter @DPD_ More Daniel D’Addario.

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Kubrick and Apollo

Apollo Kubrick Shining

by Scott Wenger

I’ve been researching the Apollo program for the past two years. Here are a few things I learned on my own that seem to suggest Kubrick may have had some direct or indirect involvement in the Apollo presentations:

– According to researcher Bill Wood, NASA heavily subsidized Stanley Kubrick when he produced the movie “2001”. Wood claims 2001 was used to develop the special effects needed to fake a lunar landing and its purpose, when it premiered in 1968, was to show the public what a real lunar landing was supposed to look like.

– Kubrick worked on 2001 with the help of NASA experts Fred Ordway and Harry Lange.

– Ordway had contacts within the aerospace community (including IBM, Honeywell, Boeing, General Dynamics, Grumman, Bell Telephone, and General Electric.) Many of these companies provided documentation and hardware prototypes free of charge in return for “product placements” in the film 2001.

– During a remastering of the film 2001, Senior NASA Apollo administrator George Mueller and astronaut Deke Slayton nicknamed “2001’s” Borehamwood, England production facilities “NASA East” after seeing all of the hardware and documentation lying around the studio.

– Ken Adam, production designer on “Dr. Strangelove” and “Barry Lyndon”, said he was not asked to work on 2001 because Kubrick had already worked for a year with experts from NASA and had done a lot of research; Adam said he would have been “too far behind.” (Note: Ken Adam did production design for the 1971 movie “Diamonds are Forever” that includes a moonscape.)

– In Kubrick’s movie “The Shining” there’s a scene where the little boy is seen wearing a shirt with the word “Apollo” on the front.

– In Kubrick’s movie “Eyes Wide Shut,” the main character (and witness to an event) is told that it was “staged, a charade, fake” and he receives a warning to “stop asking questions.” There is a theme of secrecy in that movie.

– One of the lines in Kubrick’s “Eyes Wide Shut” is as follows:

“Did you never consider the possibility that the whole thing might have been nothing more than a charade?”

– Kubrick wanted his movie “Eyes Wide Shut” released on the 30th anniversary of the launch of Apollo 11 (July 16, 1999) and the North American release of “Eyes Wide Shut” was July 16, 1999.

– Dustin Hoffman plays a character named Stanley in the movie “Wag the Dog.” That movie is about a director who is called upon to do a secret film project for the government. In “Wag the Dog,” the director wants — but is told he cannot have — “credit” for his work in the secret production. The character named Stanley might be a reference to Stanley Kubrick. The Stanley character in “Wag the Dog” completes a secret film project for the government.

– According to a reviewer, the movie “AI” (Artificial Intelligence), developed by Kubrick but directed by Spielberg, is a sci-fi rendition of Pinocchio with a few “out of place” references to the moon.

– There’s a trip to the moon in Kubrick’s 2001.

– The dialog in 2001 includes such things as “complete security,” a “cover story,” and “formal security oaths.” In the movie, someone asks how long the “cover story” must be maintained.

– Kubrick’s 1968 blockbuster “2001” proved that special effects technology certainly existed prior to the alleged 1969 moon landing.

– Actor Ed Bishop played the part of a Lunar shuttle captain in Kubrick’s 1968 movie “2001: A Space Odyssey.” Interestingly, Ed Bishop also played the part of Klaus Hergersheimer in the 1971 movie “Diamonds are Forever” (and his part was uncredited in that movie.) Ed Bishop is the actor who hands Sean Connery a dosimeter after Sean Connery (as James Bond) breaks into a secret facility in Nevada where fake moonwalking is being filmed. Some people believe Apollo moonwalking could have been filmed at the Nevada Test Site or inside a hangar at nearby Area 51.

– Douglas Trumbull, head of Trumball Film Effects, and creator of many of the effects for the film “2001: A Space Odyssey” also worked on CBS coverage of the Apollo 11 presentation. Trumball worked in Studio City, California for six weeks to prepare for the Apollo 11 broadcast. Trumbull developed a “graphic display projection system” that composed sentences, created moving diagrams, and simulated events for CBS television news coverage of the Apollo 11 mission. (Source: October 1969 issue of “American Cinematographer” magazine, page 984.) Trumbull’s involvement in the Apollo broadcasts means that some of the same talent was involved in 2001 and Apollo.

– I sent an email message to Stanley’s widow (Christiane Kubrick) on July 15, 2004. This was the question I asked Christiane:

“Did your husband know any of the Apollo astronauts?”

This was her reply (on July 16, 2004):

“I think he had some letters from two of them. I can not remember who it was.”

– Christiane (his widow) claims Stanley had no involvement in the Apollo presentations.

– Scott Wenger

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Paul McCartney: Alive or Dead?

Paul Faul

The “official” PID story: Paul was killed in a car crash November 9, 1966 and was replaced by look-alike William Campbell. This rumor first began in October 1969, when clues allegedly planted by the Beatles themselves began to be uncovered. In October 1969, a Detroit disc jockey, Russ Gibb, received a call from a listener (“Tom”) insisting McCartney was dead and suggesting he play the Beatles’ song ”Revolution Nine” backwards. Gibb did, and heard “turn me on dead man, turn me on dead man.”

In an article in the August 2009 Italian issue of WIRED magazine, two forensic scientists conducted a biometrical analysis of Paul pre & post 1966. They actually set out to prove PID was a hoax, but they actually ended up proving Paul was replaced.

In 2009, two Italians, Francesco Gavazzeni (IT analyst) and Carlesi Gabriella (medico-legal), studied images of Paul McCartney taken before and after the alleged death, and claimed there is high probability that it is not the same person, based on analysis of the shape of the skull and jaw, the curve of the jaw, the ear, palate and teeth.

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