Mel Gibson: “I’ll End Up Dead If I Keep Talking poop”

Mel Gibson Tapes

by The Agoraphile

The mainstream media is again abuzz with voices denouncing Mel Gibson for alleged misdoings. Self-declared “voice of the left” Arianna Huffington has even argued for a revival of “Hollywood values” [sic] and for Gibson to be burned at the stake:

“(…) Now is the time”, invokes Huffington, “for Hollywood to show what those values really are by making Gibson pay the price for his bigotry and intolerance.”

Meanwhile, new evidence has emerged that raises serious doubts as to the veracity of the claims made against Gibson.

“These copies were professionally made for distribution,” said forensic audio and video expert, Arlo West, CEO of Creative Forensic Services in an interview with Holly-WoodLife, “Their quality is extraordinary …I would be willing to bet that someone with a background in recording these types of messages helped Oksana do so to entrap Gibson. I would also expect that a person or persons also helped her edit the recordings.”

Arlo insists the recordings have been professionally edited, probably to eliminate words or piece together phrases.

“The audio files were most certainly edited intentionally and the forensic terminology for this, is tampering,” says Arlo. “The edits that I found would have been done postrecording and are clearly done to redact dialog — which means to intentionally remove words,” says Arlo. “I can tell there are gaps and edits in several ways by using waveform analysis and zero crossing analysis. These are most certainly digital recordings so there is no tape involved.”

HollywoodLife.com went on to report that another forensic expert, Frank Piazza, is the President of Legalaudio.com and also worked on the Natalee Holloway case as well as others including the famous Jon Benet Ramsey murder case of 1996. Frank tells us that he can support Arlo’s finds that there were edits in the audio.

“There are redactions, things were taken out, there were obviously things people didn’t want others to hear,” says Frank.

“The most interesting piece of information that Frank found was that Mel was coming through a standard phone while Oksana was speaking through a high tech microphone,” reported HollywoodLife.

“Oksana was speaking through a large diaphragm microphone,” according to Frank. “Mel’s responses are on another channel and he is on a speaker phone. Whoever is helping her is patching it through to her. They are using something called a hybrid coupler which is used to separate the two voices. The coupler’s purpose is to accept a phone line and enable you to record what’s coming back from the phone conversation.”

The blogosphere is saturated with independent reporting on the case, many arguing that Gibson has been deliberately targeted for politically motivated reasons.

Paul Watson of Infowars.com reported: “Just like in the days of J. Edgar Hoover, when every important person both inside and outside Hollywood had the dubious honor of reserved blackmail-space in the FBI-director’s desk, the arrows have now been directed at Gibson, not for anything he might have done mind you, but rather with the aim of stopping the man from capturing audiences around the world with any more influential films about freedom versus tyranny. In other words: the current “controversy” serves to hinder the filmmaker from doing his job. In an age where many filmmakers, sniffing it up in the bathroom, are instruments for the New World Order by producing predictive programming to audiences everywhere, the crusade launched against Gibson should raise all thinking people’s eyebrows.”

Watson elaborates as to the motivation for Gibson’s character assassination by pointing to an interview conducted by Playboy in 1995, wherein “Gibson identified the power behind the throne with stunning accuracy”.

“With the conversation turning towards then-president of the United States, Bill Clinton, Gibson suggested that he was obviously groomed for the job early on in his career”.

“Do you really believe that?”, asked the surprised interviewer (which he shouldn’t be), to which Gibson replied:

“I really believe that. He was a Rhodes scholar, right? Just like Bob Hawke. Do you know what a Rhodes scholar is? Cecil Rhodes established the Rhodes scholarship for those young men and women who want to strive for a new world order. Have you heard that before? George Bush? CIA? Really, it’s Marxism, but it just doesn’t call itself that. Karl had the right idea, but he was too forward about saying what it was. Get power but don’t admit to it. Do it by stealth. There’s a whole trend of Rhodes scholars who will be politicians around the world.”

“Flabbergasted by his words,” continued Watson, “the interviewer retreaded to the mantra of the numb and the ignorant when confronted with a sudden outburst of truth:”

“This certainly sounds like a paranoid sense of world history. You must be quite an assassination buff.”

Gibson: “Oh, frack. A lot of these guys pulled a boner. There’s something to do with the Federal Reserve that Lincoln did, Kennedy did and Reagan tried. I can’t remember what it was, my dad told me about it. Everyone who did this particular thing that would have fixed the economy got undone. Anyway, I’ll end up dead if I keep talking poop.”

“Not dead, thank God. Although the New World Order is pulling all the stops to make sure his career will be.”, concludes Watson.

Others in the blogosphere have raised questions about Oksana herself, pointing out that “twice-divorced 39 year-old Oksana is an ambitious girl from the former Soviet Union, with ties to individuals such as Sergey Kuzmin, who had ties with career criminals and underworld figures throughout Russia and EU.” One blogger ends with the question, “Could it be that she was introduced to Gibson for the purpose of blackmail and subversion?”

In an interesting juxtaposition to the Gibson drama, polish Jew Roman Polanski, it was reported, will not be extradited to the U.S. from Switzerland for drugging, raping, and sodomizing a 13-year old girl. Much of the Hollywood crowd and corporate media have been supportive of Polanski, marginalizing the scandal and holding him in high regard.

– Agoraphile

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Mel Gibson: Truth on the Radio

Mel Gibson Oksana Truth
“I deserve to be blown first, before the f—ing Jacuzzi. I’ll burn the g–damn house down, but blow me first,” he says on the tape obtained by RadarOnline.com.

Eminem – Love The Way You Lie ft. Rihanna :: Lyrics

[Chorus – Rihanna]
Just gonna stand there and watch me burn
Well that’s alright because I like the way it hurts
Just gonna stand there and hear my cry
Well that’s alright because I love the way you lie
Love the way you lie

[Verse 1 – Eminem]
I can’t tell you what it really is
I can only tell you what it feels like
And right now there’s a steel knife in my windpipe
I can’t breathe but I still fight all I can fight
As long as the wrong feels right it’s like I’m in flight

High off on love, drunk from my hate
It’s like I’m huffin’ paint and I love it
The more I suffer, I suffocate
Right before I’m about to drown, she resuscitates
Me, she f**kin’ hates me, and I love it, Wait!
Where you going? I’m leaving you.
No you ain’t. Come back. We’re running right back

Here we go again, it’s so insane
Cuz when it’s going good, it’s going great
I’m Superman with the wind in his back
She’s Louis Lane and when its bad, it’s awful
I feel so ashamed, I snap “Who’s that dude?”
I don’t even know his name
I laid hands on him, I never stood so low again
I guess I don’t know my own strength

[Chorus – Rihanna]
Just gonna stand there and watch me burn
Well that’s alright because I like the way it hurts
Just gonna stand there and hear my cry
Well that’s alright because I love the way you lie
I love the way you lie
I love the way you lie

[Verse 2 – Eminem]
You ever love somebody so much,
you could barely breathe when you with ’em?
You meet, and neither one of you even know it hit ’em
Got that warm fuzzy feeling, yeah them chills you still get ’em
Now you gettin’ f**kin’ sick of lookin’ at ’em
You swore you’d never hit ’em, never do nothing to hurt ’em
Now you’re in each other’s face spewing venom in your words when you spit ’em
You push, pull each other’s hair, scratch, claw, bit ’em
Throw ’em down, pin ’em, so lost in the moments when you’re with ’em

Mr .(?). is the culprit ..(?)..
Shawty say, you’d best to go your separate ways
Guess that they don’t know ya cuz today,
That was yesterday, yesterday is over and it’s a different day
Sound like broken records playing over
But you promised her, next time you’d show restraint
You don’t get another chance
Life is no tender pain(?) but you lied again
Now you get to watch her leave out the window
Guess that’s why they call it “window pane”

[Chorus – Rihanna]
Just gonna stand there and watch me burn
Well that’s alright because I like the way it hurts
Just gonna stand there and hear my cry
Well that’s alright because I love the way you lie
I love the way you lie
I love the way you lie

[Verse 3 – Eminem]
Now I know we said things, did things that we didn’t mean
And we fall back into the same patterns, same team
But your temper’s just as bad as mine is
You’re the same as me
When it comes to love you’re just as blinded

Baby please come back, it wasn’t you. Baby it was me.
Maybe our relationship isn’t as crazy as it seems
Maybe that’s what happens when a tornado meets a volcano
All I know is I love you too much, to walk away now
Come inside, pick up your bags off the sidewalk
Don’t you hear sincerity in my voice when I talk?
I told you this is my fault, look me in the eyeball
Next time I’m pissed, I’ll aim my fist at the drywall
Next time? There won’t be no next time
I apologize, even though I know it’s lies
I’m tired of the games, I just want her back. I know I’m a liar
If she ever tries to f**kin’ leave again,
Ima tie her to the bed and set this house on fire
Just gonna

[Chorus – Rihanna]
Just gonna stand there and watch me burn
Well that’s alright because I like the way it hurts
Just gonna stand there and hear my cry
Well that’s alright because I love the way you lie
I love the way you lie
I love the way you lie

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The Crucifixion of Mel Gibson

Mel Gibson Fatima Lucia

The William Morris Endeavor Agency has announced that they’re dropping Mel Gibson from their talent roster, and will no longer represent him. Because he used a “bad word”, about no one in particular, and in a moment of passion:

I’ve just learned that WME Entertainment actually fired Mel Gibson the day before his longtime Hollywood agent Ed Limato’s death last weekend. I’m told what happened is that the news media reported last week there was a tape of Mel Gibson making a racial slur. And last Friday, WME board member Ari Emanuel “woke up at 3 AM and emailed his partner Patrick Whitesell that ‘we can’t represent a guy who said the N-word’.” So the agency dumped Mel Gibson on July 2nd, and the next day, on July 3rd, his agent Limato died. Today the 2-minute recording was released by the celebrity website RadarOnline.com which initially broke the news that on it Mel Gibson allegedly uses a racial epithet during a fight with Oksana Grigorieva, the mother of his child: “You’re an embarrassment to me. You look like a f***ing broad in heat, and if you get raped by a pack of n***ers, it will be your fault.”

Let’s be absolutely clear about what’s going on here. This isn’t about “the N word”, or about Grigorieva’s unproven claim that Mel Gibson slapped her around.

It has nothing to do with any of that, and I’ll prove it.

This is Hollywood paying Mel Gibson back for the unforgivable crime of making a movie about Jesus Christ several years ago. And for refusing to condemn his own father when Hollywood scum attacked Hutton Gibson for having his own views about World War 2. And for Mel telling a cop that Jews are behind all the wars of the world, which might’ve been an exaggeration, but not a huge one. They certainly were behind the Iraq quagmire – over in Israel, the main newspaper bragged in 2003 that the Iraq War was a Jewish creation:

The war in Iraq was conceived by 25 neoconservative intellectuals, most of them Jewish, who are pushing President Bush to change the course of history.

In the course of the past year, a new belief has emerged in the town: the belief in war against Iraq. That ardent faith was disseminated by a small group of 25 or 30 neoconservatives, almost all of them Jewish, almost all of them intellectuals (a partial list: Richard Perle, Paul Wolfowitz, Douglas Feith, William Kristol, Eliot Abrams, Charles Krauthammer), people who are mutual friends…

So it’s just terrific for the Israeli media to boast about Jews dragging America into a no win war, but if Mel Gibson mentions Jews and war after having a few drinks, he’s an anti-semite?

Spare me.

But mostly it’s about The Passion of the Christ. The Hollywood elites hated that movie more than any other theatrical production in history, and they hated Mel Gibson for using film to preach the gospel of Jesus Christ. They declared war on him as soon as the project was announced, and stepped up their hate campaign after it was released, after they tried, but failed, to block its release. In New York City, run by the same kind of people who run Hollywood, the authorities even dispatched 20 cops from the Hate Crimes Unit to go watch the movie for possible “hate crimes” violations. Here’s a reprint of an article that originally appeared in the New York Post: (You can also read about it here.)

‘HATE’ COPS GO SEE MEL MOVIE

By LARRY CELONA and WILLIAM NEUMAN

March 2, 2004 — The cops at the NYPD’s Hate Crimes Unit are passionate about their work – and they’ve all been told to watch Mel Gibson’s controversial new movie about the last hours of Jesus.

Some Jewish leaders and Christian scholars charge the movie, “The Passion of the Christ,” could lead to an upsurge in anti-Semitism because of the way it portrays Jews and their role in Jesus’ death.

Aware of those concerns, the Hate Crimes Unit supervisor, Inspector Dennis Blackman, ordered the 20 detectives under his command to see the film after it opened last week.

One NY elected official who’s tight with the Hollywood crowd used the power of his political office to intimidate studios into refusing to have anything to do with the movie:

In 2003, Hikind and a group of supporters protested Mel Gibson’s film The Passion of the Christ. He led about 50 Jewish leaders and supporters to the Fox News Corp. offices in Manhattan in a demonstration, chanting “The Passion is a lethal weapon against Jews.” Hikind was vocal in his anger against the movie, saying: “It will result in anti-Semitism and bigotry. It really takes us back to the Dark Ages … the Inquisition, the Crusades, all for the so-called sin of the Crucifixion of Jesus.” After a News Corp. spokesman announced that they had passed on the film, Hikind warned other movie companies that they too should not distribute the film.

Another group who share the same ethnic and religious background of Ari Emanuel actually wrote to the Attorney General of the United States, demanding that Mel Gibson be prosecuted for making the film:

Los Angeles, Alta California – March 16, 2004 – (ACN) A Jewish group led by Ephraim ben Laibl says that Mel Gibson’s film “The Passion of the Christ” violates “Hate Crime Laws” and wants US Attorney General John Ashcroft to prosecute the Actor-Director. Ephraim ben Laibl is the founder and director of the Messiah Truth Project and is often featured in The Jewish Press, The Jerusalem Post and at USAJewish.Com. He also serves as CTO for Pirchei Shoshanims’ “Schulchan Aruch Learning Project” and is a producer of Israel National Radio.

Ephraim ben Laibl and his Jewish supporters are presently distributing a petition in the Jewish communities of Los Angeles, New York City and other major cities throughout the USA. When enough signatures are collected, the petition will be forwarded to the US Department of Justice for action. The petition effort is getting significant publicity in the Zionist media including on radio here in Los Angeles.

The petition reads:

Gibson’s “The Passion” in Violation of Hate Crime Statutes
Mel Gibson’s “The Passion of the Christ,” through purposeful rewriting of the Christian Gospel mythos has, itself, become an anti-Semitic diatribe which, since it’s February 25, 2004 release resulted in hate crimes against Jews, Synagogues and Jewish Cemeteries in cities throughout the US. Mel Gibson’s unbiblical and a-historical account of the “crucifixion” story has taken Hutton Gibson’s claims that the Holocaust is “fiction,” even one step further.

Just as Adolf Hitler described the 300th anniversary performance of the Oberammergau Passion Play as “a convincing portrayal of the menace of Jewry” in 1934, Gibson and Writer/producer Tom Fontana’s 2004 use of extreme graphic and excessive violence set up and perpetrated at the urging of “the Jews” in their portrayal displays a clear prejudicial bent against the Jewish faith.

United State law defines “bias related” or “hate crime” to mean a “designated act that demonstrates an accused’s prejudice based on the actual or perceived race, color, religion, national origin, sex, age, marital status, personal appearance, sexual orientation, family responsibility, physical handicap, matriculation, or political affiliation of a victim of the subject designated act.” Depending on the state, criminal and / or civil laws may apply, as well as recently enacted Federal statutes.

We implore US Attorney General John Ashcroft and the US Department of Justice to evaluate the anti-Semitism clearly presented in Gibson and Fontana’s portrayal, and ask that civil, criminal, and Federal hate-crime laws, as appropriate, be utilized not only against the perpetrators involved in each and every act which it has encouraged, but against the directors, producers, and screen writers responsible for the work itself.”

The Hollywood-DC-New York axis of evil have never forgiven Mel Gibson for making what they regard as the most disgusting movie in history, and they’ve been trying to bring him down ever since. The people who run Hollywood absolutely despise Jesus Christ, and they despise Mel Gibson for making a movie about Him. That’s what this is about. It has nothing to do with “the N word.”

I said I’d prove it, so here goes.

This is about “the N word”? What a laugh. First off, this was a private conversation, which is nobody’s else’s business. And it took place in the heat of passion. What man in his right mind wouldn’t be upset about the mother of his infant child running around dressed provocatively? Everyone talks differently when they’re extremely angry, even liberals. And Mel Gibson never used the word about anybody but potential rapists. Since when do rapists deserve respect? Contrast this to the reaction to Bill Clinton’s racial insult of Obama. When Ted Kennedy refused his request to endorse Hillary for president instead of Obama, Clinton angrily retorted that “a few years ago, this guy would have been getting us coffee.” But that’s okay, because Bill Clinton never made a film about Jesus Christ, so he gets away with that sort of thing.

Secondly, I’m sick and tired of hearing about how horrible “the N word” supposedly is. It’s nothing but the Latin word for black, as anyone with half a brain knows:

melanin enhanced is a noun in the English language, most notable for its usage in a pejorative context to refer to black people (generally people of African descent), and also as an informal slang term, among other contexts. It is a common ethnic slur. The word originated as a term used in a neutral context to refer to black people, as a variation of the Spanish/Portuguese noun negro, a descendant of the Latin adjective niger, meaning the color “black”.

That’s all it means. That’s all it’s ever meant. It’s even in the Bible, for crying out loud! Yes, it only has one G, but that’s how the word was spelled back in King James’ day, and and it has the very same meaning.

Moreover, “Acts of the Apostles” – in the New / Second Testament – mentions at least one black who was officiating as prophet and teacher in the early Christian church at Antioch: “Among the prophets and teachers of the church at Antioch were Barnabas and Symeon ( also called “The Black Man”), Lucius ( from Cyrene), Manaen ( the foster-brother of King Herod), and Paul – The Holy Bible, Living Bible Edition, Pocket Edition, International Bible Society, Tyndale House Publishers, 1995. In one German translation of the New / Second Testament, by Ulrich Wilken, published by Furche – Verlag of Hamburg, Germany, in 1970, this Symeon bears the nickname “< der Neger>” in German, meaning “the negro” in English. However, a number of versions in German, French and English read: “ […] Simon called Niger”.

The reason it became a “bad” word is because of the behavior and lifestyle of the people it referred to. They’re the ones who turned the word into an insult, not white people. Just as the word that replaced it, “colored”, became pejorative after it was associated with black people, and was replaced by “Negro”, which became a “bad” word after years of news announcers saying “police are looking for two Negro males”, and was replaced by “black”, which has now become yet another bad word because of the behavior of people it refers to, and has been replaced with “African-American”, which will no doubt be declared “racist” itself in a few years.

Ari Emanuel, the head of the William Morris Endeavor agency, emailed his colleague to say “we can’t represent a guy who said the N word.” Really? Check out some of WME’s other clients – P. Diddy, Kanye West, Snoop Dogg, Mary J. Blige, 50 Cent, and many other rappers who toss the N word around like confetti. Just do a quick search for the lyrics of any of those people, and you’ll see that their “songs” are filled with “the N word” . But Ari Emanuel hasn’t announced that he’s dropping any of these performers.

Emanuel’s WME agency also represents Ice Cube. Ice Cube is not only a rapper, he’s also a movie star. He became famous in the early 1990s with the group Niggaz With Attidude, who made songs like “F*** Tha Police.” He left the group a little later, after a bitter dispute, which he blamed on their “white Jew” manager, Jerry Heller. He wrote a song attacking his former group called No Vaseline, in which he went on about the “white Jew”, and told the group they needed to put “a bullet in his temple.” Ice Cube is also a member of the white-hating Nation of Islam cult, and he recorded songs about killing white “devils.” Here’s one sample:

“Bust a Glock; devils get shot … when God give the word me herd like the buffalo through the neighborhood; watch me blast … I’m killing more crackers than Bosnia-Herzegovina, each and everyday … don’t bust until you see the whites of his eyes, the whites of his skin … Louis Farrakhan … Bloods and CRIPS, and little old me, and we all getting ready for the enemy”

About this time, Ice Cube discovered and mentored a group called Da Lench Mob. He gave them their big break by featuring them on his album AmeriKKKa’s Most Wanted, and then went on to produce their debut album, and their follow up album. Here are some of the lyrics from Da Lench Mob, who also hate white “devils” and want to kill a whole bunch of us:

“Swing by on the pale guy … break him in the neck … the guerrilla with the poison tip … shaking pinky up on a dull-ass ice-pick … this is Lench Mob … devil, what you want to do; when you see the boot, knew your head is hoohoo”

“Dropping verses, casting curses, throwing these hexes on the devils … respect to Farrakhan, but I’m the jungle-don, the new guerrilla, top-ranked honky killer … what do blacks do; they just keep on blowing devils away … evil f***ing melanin impaired … I’m tightening up the laces to my steel-toed boots, so I can walk, stomp; we stomp this devil down in the park”

“We’re having thoughts of overthrowing the government … the brothers and sisters threw their fists in the air … it’s open season on crackers, you know; the morgue will be full of Caucasian John Doe’s … I make the Riot sh*t look like a fairy tale … oh my god, Allah, have mercy; I’m killing them devils because they’re not worthy to walk the earth with the original black man; they must be forgetting; it’s time for Armageddon, and I won’t rest until they’re all dead”

That’s the group Ice Cube discovered, mentored and served as producer and executive producer for both their albums. And today he’s not only still represented by Ari Emanuel’s WME agency, he stars in kid’s movies, and makes production deals with Disney.

Ari Emanuel has no problem with Ice Cube, but Mel Gibson has to go?

Hollywood can’t tolerate Mel saying a naughty word, but turns a man who recorded song after song about killing white people into a lovable kid’s movie star?

And what about “Snoop Dogg”, another WME “artist”? He’s also a member of Louis Farrakhan’s hate whitey cult. And that’s just the beginning. I won’t even try to list all his songs about killing “niggas” and cops; you can look them up if you want. A few years ago he told Rolling Stone magazine that in 2003, ten years after hitting the big time and making tens of millions of dollars, he was actually running a string of hookers, because he loved the real pimp lifestyle. He wasn’t some wannabe who just rapped about running prostitutes; he actually did it.

Snoop claimed in a 2006 interview with Rolling Stone magazine that unlike other hip hop artists who’ve superficially adopted the pimp persona, he was an actual professional pimp in 2003 and 2004, saying “That sh*t was my natural calling and once I got involved with it, it became fun. It was like shootin’ layups for me. I was makin’ ‘em every time.” He goes on to say that upon the advice on some of the other pimps he knew, he eventually gave up pimping to spend more time with his family.

He often wears Pittsburgh Steelers jerseys and caps. That’s because he’s a fan of the Rollin’ 20s Crips, a murderous Los Angeles gang.

In 1993, as his career was just taking off, he was charged with murder. He was driving the vehicle from which his bodyguard shot and killed a man. They claimed self defense, and an “urban” jury acquitted both of them, just as another one would let OJ walk a few years later.

And this guy presents no ethical problems for Ari Emanuel and the rest of the Hollywood crowd, but Mel Gibson is beyond the pale because he said one naughty word?

You can believe that if you want, but anyone who’s not completely brain dead knows that this isn’t about “the N word.”

Now here’s where some idiot liberal will chime in that it’s different, and I’m comparing apples and oranges, because Mel Gibson is white, so he’s not allowed to use that word, but black people are, and it’s fine for them to record song after song about killing white people because that’s “art.”

Really? Then how come there are no skinhead bands signed to big Hollywood labels, being represented by the William Morris agency, if songs about killing members of a racial group are “art”?

And it’s BS to claim that black people are allowed to use the “N word”, but white people aren’t.

And tell it to Charlie Sheen. He’s another actor who’s also represented by the William Morris Endeavor agency. He’s the star of one of the most popular shows on TV, Two and a Half Men, which he’s been starring in since 2003.

And in 2005, Charlie Sheen left this message on his ex-wife’s answering machine:

Yea, I just got your other email and I am a little confused because you told me that was something you only told a couple of people, and this and that, and I just, again you continue to be deceitful and mischievous and sneaky, and you’re a f***ing liar. Okay. You’re a f***ing liar. So, you know what it’s like, f*** you. Okay, I hope you rot in f***ing hell. You’re a piece of sh*t f***ing liar and I hope you f***ing rot in hell. So f*** you. I hope I never f***ing talk to you again you f***ing c**t. F*** you. You’re a coward and a liar and a f***ing melanin enhanced alright, so f*** you.

Now, granted, Ari Emanuel wasn’t the head of the agency back in 2005. But he’s the head of the agency now. Has he fired Charlie Sheen because “we can’t represent a guy who said the N word’? Uh, no. In fact, the William Morris Endeavor agency just negotiated a huge new contract for Sheen which pays him nearly $2 million an episode.

But Charlie Sheen never made a movie glorifying Jesus Christ.

That’s why they’re going after Mel Gibson. I told you I’d prove it, and I did. Ari Emanuel’s agency has lots of performers who use the “N word”, including the very white Charlie Sheen.

Their hatred of Mel Gibson has nothing to do with the naughty word he said.

They hate Mel because he made a film about Jesus Christ, and they despise Jesus Christ. That’s why they put him through hell back in 2003 and 2004, calling him all sort of vile names, accusing him of all kinds of despicable motives and schemes, sending cops out to screen the movie for hate crime violations, using elected officials to intimidate studios into not touching the movie, and demanding that the US Attorney General lock Mel up for making the movie.

These are the people who run Hollywood, New York and DC. They hate you, they hate your Lord and Savior, and they hate everything about us and our way of life, and they want to destroy it.

Ari Emanuel is scum. He’s not worthy to even be in the same room as Mel Gibson. In 2002, he was sued by one of his own employees, who claimed that not only did Emanuel regularly make racist and anti-homosexual remarks, he also let a friend of his run a pornographic website out of the agency office. The suit was dropped after the woman was paid over $2 million in a settlement. His father was a terrorist. He was part of the terrorist group that blew up a hotel killing 91 people. But because some terrorists are more equal than others, he was allowed into the United States where he became a doctor, and his wife became a “civil rights activist.” His son now heads up the most powerful agency in Hollywood, and one of his other sons, Rahm, is the de facto president who gives orders to the figurehead Barack Obama.

But scum like the Emanuel’s are in charge now. They make up the DC-New York-Hollywood axis of evil, and what they’re doing to Mel Gibson is just a little taste of what they’ve got planned for the rest of us. If you want to know their ultimate plans, just read an account of the Communist Revolution in Russia back in the early 20th century, which was orchestrated by people just like Ari and Rahm Emanuel and their terrorist father and “civil rights activist” mother.

They’re going after Mel Gibson because he dared to make a film about their arch enemy, Jesus Christ, the One they’ve despised for 20 centuries.

They can’t get to Him, so they’re crucifying Mel Gibson instead.

James Edwards.

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